Stone Love and Symbolics Split 45 OUT NOW on PLUT!

Our friends over at Plut records have out done themselves this time. On this two sided monster, not only do you get the the previously unreleased "A Taste Of Your Love" by the Symbolics (with backing from Shake), but also the impossibly rare "Stone Spanada" by Stone Love (originally released on the Lofton label). Both tracks were recorded in the 70's at Brockington & Guess Studio on 35th Street in Norfolk. The first few orders get the limited red vinyl versions!

Listen to some sound samples below!

Shipping for the 45 is $3.00 US and $6.00 world

Willie Brown "I Think I'll Fall In Love" (Tri-Som) "Love That Stranger" (Tri-It)

The first half of the 1970's saw Norfolk record mogul Leroy Little on a bit of a roll. Having just inked a national deal with King Records for his Tri-Us label and it's most successful artist Little Royal, Mr. Little continued to deliver a steady stream of singles on a local level with his Tri-It and Tri-Som imprints. These sister labels lacked the wide spread distribution of Tri-Us, which is a shame because there were a number of outstanding releases between the two that deserved more attention than they received initially.

One interesting example of a Tri-It single that refused to go away quietly is Sebastian's "Living In Depression". It's essentially Little Royal & The Swingmasters' finely honed (and previously released) funk instrumental "Razor Blade" plus overdubbed vocals courtesy of the legendary Sebastian Williams (and Leroy's son Keith at the controls in the studio). "Depression" was released on three different labels in 1975, Tri-It and Pesante out of Norfolk, as well as New York's Brown Dog. Despite these efforts it never achieved the success of the original instrumental version, which held the coveted flipside of Little Royal's biggest commercial success "Jealous".

This brings us to another Swingmasters 45, "Boogie on Down", released a year earlier in 1974 on Guess Records. In this case it would appear that it was the Swingmasters record that added overdubs to a pre-existing track. "I Think I'll Fall In Love" by Willie Brown on Tri-Som, is a killer funky soul tune utilizing the exact same backing track as "Boogie On Down". For all intents and purposes the instrumental B-Side of "I Think I'll Fall In Love" is "Boogie On Down" minus the boisterous band banter and some tastefully placed piano.
In contrast to "Living In Depression", Willie Brown's "I Think I'll Fall in Love" has a more natural flow, no doubt helped by the song's more manageable pace. Despite Sebastain's valiant effort, his vocals on "Depression" almost have the quality of being in competition with the backing track, seeming somewhat rushed in spots, and every now and then even drowned out by the music. "I Think I'll Fall In Love" feels more like a song intended to have lyrics. Interestingly, the Willie Brown record makes no mention of The Swingmasters, not even on the instrumental flip. While "Boogie On Down" credits Leroy Little as the sole songwriter with no mention of Garfield Williams and Leroy Tuna, the team credited with writing "I Think I'll Fall In Love". Was Leroy Tuna a pseudonym for Leroy Little? Yet another interesting mystery to be solved.

Willie Brown cut one more single for Leroy Little, this time on Tri-It. Recorded at Brockington & Guess Studio in Norfolk with backing from the mighty Raw Soul, the top side, "Get Out And Get It", is no doubt as solidly funky as you'd expect, but it's the atmospheric B-Side that's most striking.

"Love That Stranger" does indeed sound like it's from some far off place, perhaps not even of this world. At the center of this unusual arrangement is a cavernous organ sound embellished with shimmering vibraphone effects. Intricate yet soulful jazz guitar drifts in and out as subtly funky drums serve as the anchor. Brown echoes himself on double tracked vocals, including a fragile falsetto that levitates above it all, as he pleads for forgiveness after being away from home too long.

Despite there being no backing band credited on "Love That Stranger", it's a pretty safe bet that Reno Renaldie's cleverly named outfit The Reno Expedition holds that honor. In fact, the Expedition's only single, the instrumental "Ain't Nothing But A Party" (also on Tri-it) almost sounds like a pitched-up run through of "Stranger". Well, at least the organ and drums do, conjuring images of some frenzied shindig at the local roller rink.

Willie Brown "I Think I'll Fall In Love"

Willie Brown "Love That Stranger"

The Reno Expedition "Ain't Nothing But A Party"

***Please check out the Ol' Virginia Soul: Encore! CD for "Living In Depression" as well as Brent Hosier's touching tribute to the late, great Sebastian "Plut" Williams, a true gentleman and a giant of Virginia Soul, loved and missed by many.

Unreleased Barbara Stant & Raw Soul 45 Available Now!

Our dear friend Brent Hosier, the guy behind the outstanding "Ol' Viginia Soul" series and head honcho of Plut Records has done it again! Hot off the presses comes a previously unreleased gem from the First Lady of Virginia Soul, Norfolk's own Barbara Stant! More powerful than a locomotive, "Superman" is heroic Sister Funk from 1972 written and produced by Lenis Guess. MS. Stant is at the top of her game on this one, with super-human backing from Raw Soul, who also contribute the aptly titled flip, "Just Walk Funky". How these two tracks remained in the vaults for some 37 years is beyond us, but now's your chance to get them both on one killer 45!
Another high quality release mastered from the original reels, for optimal sonic impact. As always, quantities are limited, so grab 'em while you can, and support a great Virginia label! And remember "It ain't a boot...if it's on Plut!"

$5.00 each (Shipping $3 in the US and $6 for the rest of the world). Listen to the sound samples below!
Raw Soul featuring Barbara Stant "Superman"
Raw Soul "Just Walk Funky"

SOLD OUT!

Wilson Willams "(I Can't Get Over) Losing You" Tri-Us

As is the case with most of his Southern Soul brethren, the influence of the church is undeniable in the early work of Wilson Williams. The most sought-after of his two releases for Noah Biggs' How Big label, "I Got A Whole Lot To Be Thankful For" is a devastating Deep Soul ballad so true to these gospel roots it sounds as though he just got off the pulpit and walked straight into the recording studio.

Continuing in this distinctly Southern vein, the Lenis Guess produced "Losing You" was released on the Tri-Us label. Best known for successful outings by Washington D.C. native Little Royal (Torrance) & The Swingmasters, Tri-Us was the flagship of Leroy Little's family of labels which included Tri-It and Tri-Som. In addition to owning the Waxy Maxy record shop on 35th Street in Norfolk, Little was well established in the music business, having done extensive promotions work for larger labels like Atlantic. He utilized his many connections within the industry to secure wide distribution deals, explaining why Nashville and Houston addresses can be found on many of his labels. In fact, most of the Little Royal releases, including his lone album "Jealous", were distributed through the King/Starday empire.

On this, one of the harder to find singles on Tri-Us, Wilson Williams turns in a powerful performance, beautifully complimented by a small chorus of ascending female vocals, mournful piano and soaring organ, all building on a haunting melody. Strongly juxtaposed with this gorgeous ballad is its flip, the provocatively titled "He's A Mother", a wah wah-infused stoner funk track with devilishly breathy vocals drifting in and out. The best of both worlds on one 45!

Besides writing most of his own material (in many cases along with his brother Garfield), Wilson Williams also penned some notable sides for Shiptown artists including Barbara Stant, as well as contributing vocals to The Positive Sounds. By 1978 he signed with ABC Records and had a string of quality singles with an updated Modern sound, including "Faith Will Bring It Home", and even a full album "Up The Downstairs". More recently he has worked on projects with his other brother Jerry Williams Jr., who of course is the legendary Swamp Dogg. To this day Wilson is still performing, most recently touring with a new line up of the Platters.

Wilson Williams "(I Can't Get Over) Losing You"

Wilson Williams "He's A Mother""

Little Wink & Eddie's 25th Century Band "Sentimental Love" (Brock)

This moody, exotic beauty was the flip of the majestic dancer "Peacock" (which can be heard on the outstanding Ol' Virginia Soul: Encore! compilation). "Sentimental Love" is one of the more unique and imaginative instrumentals you'll ever hear. Hypnotic lead guitar weaves it's way around bubbling rhythms, striking the perfect balance with the popping percussion: laid back yet funky.
Recorded in Norfolk (1972)at Dorsey Brockington & Lenis Guess's studio on 35th Street and released on the Brock label (named for Dorsey) this elusive two-sider was followed up about four years later with a souped up remake of "Peacock" recorded at Alpha Audio in Richmond.

Little Wink & Eddie's 25th Century Band "Sentimental Love"

The Deceptions "Of All The Hearts / People" (Brooks)

The Deceptions were nothing but the truth! A three piece vocal group formed in 1968 and consisting of Malcolm Mason, Jimmy Williams, and leader Daniel Goldstone, they released three phenomenal singles: "You're Gonna Run To Me" recorded at Brockington & Guess Studios in Norfolk and released on the Peace label, "Of All The Hearts" for Walter Coleman's Brooks Records out of Hampton, and "Success" for Goldstone's own Stone Gold label, located in Newport News at the time.

"Of All The Hearts" appears to have been the more successful of the three outings, meriting two pressings. With it's distinctive harmonies, catchy chorus, moody guitar and up front drums, it's no wonder this uniquely beautiful beat ballad would have caught some ears. Interestingly, there is another version of this song done by the group Black & Blue on the Charlotte, N.C. label Game. The Black and Blue record lists Duke Hall as the song writer, while Daniel Goldstone is credited on the Deceptions version. We still haven't been able to get to the bottom of this discrepancy, and while the Black and Blue version is quite polished and seems to be better known, we prefer the Deceptions' more direct, stripped down approach.

On the flip side "People", we find Goldstone and company attempting to unify the worlds of R&B and Rock stylistically and lyrically. "You might be White/ You might be Black/ But don't let that hold you back/ We all want the same things in life/ So don't be ashamed/ To do it!" "People" reflects the upheaval of the changing times with a heady blend of searing guitars, funky drums and social consciousness. A heavy dose of Psychedelic Soul that serves as an indelible snapshot of a turbulent era, as well as carrying a message that's still relevant in today's world.

Their third single, "Success", as well as being the initial release for the newly formed Stone Gold label, would mark the final record under the name The Deceptions. Shortly after, the group would become Peace, Justice and Equality. PJE released two albums, It's Time (1976) and At The Disco (1978), both on Stone Gold. In fact, the exact same recording of "Success" appears on It's Time as well as reworked versions of "People" and "Of All The Hearts", with "People" evolving into an anti-drug track "Gettin' High".
The prolific Mr. Goldstone has had a hand in nearly every aspect of the music business for decades now, and has recently resurrected Stone Gold Records.
Special thanks to our friends at Virginia's Music Soul for the great group photos and info. Check out one of the web's best kept secrets!

The Deceptions"People"

The Deceptions"Of All The Hearts"